Unsilent Night: Nashville
Unsilent Night, an original composition by Phil Kline, written specifically to be heard outdoors in the month of December, takes the form of a street promenade in which the audience becomes the performer. Each participant plays one of four tracks of music downloaded to a smart phone, or anything that amplifies music, together comprising Unsilent Night.
As a group, we will stroll across the Pedestrian Bridge and through downtown Nashville, creating a unique mobile sound sculpture. We'll walk approximately 1.5 miles. All are welcome!
Hosted by Alex Ring Gray and Catherine Walker
Unsilent Night: Knoxville
Unsilent Night is an original composition by Phil Kline, written specifically to be heard outdoors in the month of December. It takes the form of a street promenade in which the audience becomes the performer. Each participant gets one of four tracks of music in the form of a cassette, CD, or Mp3. Together all four tracks comprise Unsilent Night. The fact that the participants play different "parts" simultaneously helps create the special sound of the piece. Participants carry boomboxes, or anything that amplifies music, and simultaneously start playing the music. They then walk a carefully chosen route through their city’s streets, creating a unique mobile sound sculpture which is different from every listener's perspective.
Hosted by Nief-Norf
New Sound Concert Series
Performing my original composition Slide Piece (Micro) for Electric Guitar and Electronics
UT Percussion Ensemble
Performing vocals on Steve Reich's Music for Mallet Instruments, Voices, and Organ
UT Contemporary Music Festival: Concert #1
Performing Michael Gordon's For Madeline (electric guitar/tech) (1:52:57 in video) and Cathy van Eck's Wings (electronics/tech) (1:05:00 in video)
Elise Stephens' "Dedication" Installation
Sound installation paired with Stephens' reactive video installation
Live Improvisations:
Friday, October 13 at 7 p.m.
Saturday, October 14 at 3:30 p.m.
UT Electroacoustic Ensemble: First Row Series
This series consists of live performances only available through headphones for a small number of audience members. Transiting the fine line between performance and installation, the show seeks to trigger the audience's sonic imagination. Special thanks to the College Music Society for their sponsorship.
UT Electroacoustic Ensemble: First Row Series
This series consists of live performances only available through headphones for a small number of audience members. Transiting the fine line between performance and installation, the show seeks to trigger the audience's sonic imagination. Special thanks to the College Music Society for their sponsorship.
UT Electroacoustic Ensemble: First Row Series
This series consists of live performances only available through headphones for a small number of audience members. Transiting the fine line between performance and installation, the show seeks to trigger the audience's sonic imagination. Special thanks to the College Music Society for their sponsorship.
Time and Space
"'Time & Space' is a space for artists, collaborators, listeners, and just curious people, to come and share their art! This is not meant to be strictly a performance venue, but rather an open space to stimulate, inspire, and encourage creativity in a friendly setting. This is a space to share, whether that be a poem you read this week, a quote, a pop song you'd like to sing, free improv, a duet, an art installation, a piece you created that week, or just an open discussion to share creative thoughts.... it is ALL welcome with the intention of inspiring one another. "
Debut of No Strings Attached (Cut Piece) and an improvisational set
Space Radio: Pre-Eclipse Improvisation Show with Tony Gerber
Tune in at http://176.31.209.254:9066
10 PM CST/11 PM EST
Electro-Music Festival: UT Electroacoustic Ensemble
For over a decade, people have gathered together to listen to and perform experimental electronic and electro-acoustic music, to swap gear and ideas, and to find like-minded life-long friends under the umbrella of electro-music.com. These gatherings have fostered an eclectic and diverse community of musicians and makers, improvisers and composers, amateurs and academics. The strangest thing about the electro-music community? That this might be the first time you’ve ever heard of it.
For the past six years, the annual electro-music festival has been held in Huguenot, NY. As of the last day of 2016’s electro-music festival, the upstate New York days have been uploaded to the archive.
Nashville Summer Sleep Concert
Burnett Audio & DA73 presenting overnight music festival & arts show. All night event of electronic music.
21+ BYOB, $10 Cover
Nine Lakes Wine Festival: The Foxtones
Performing with Cookeville-based jazz quartet the Foxtones.
Brewhibition: Marble City Shooters
Performing jazz and rock classics at Brewhibition 2017
UT Big Band
A concert of music written and arranged by John Clayton. Performing additional parts on bass clarinet.
UT Electroacoustic Ensemble Spring Sessions
Performing freely improvised music. Featured in Duo with David Floyd.
Myriad: An Interactive Multi-Media Exhibit and Performance
Art exhibit of Elise Stephen's works. Featured performance of Improvisation no. 5: Myriad with live visuals.
Nathan Curtis Senior Composition Recital
Performing in Nathan Curtis's Electric Guitar Quartet
UT Jazz Festival: UT Big Band feat. John Clayton
The UT Big Band features guest artist John Clayton in a concert of his arrangements and compositions. Performing additional parts on bass clarinet.
Big Ears Festival: UT Electroacoustic Ensemble
Performing freely improvised music. Featuring guest artist Tim Feeney. Featured in a duo with David Floyd.
Kelsey Stephenson's "divining" Installation
Installation work created by Kelsey Stephenson. Audio elements by Alex RIng Gray.
UT Electroacoustic Ensemble @ Appalachian State University
Performing free improvised music. Featured in Duo with Elise Stephens, performing Improvisation no. 3
Kelsey Stephenson's "embodied" Installation
"Stephenson’s installation is ethereal: a fleeting moment of ink-flow frozen on paper. Paradoxically, it also feels primordial: meandering rivulets of pigment are like ancient topographies carved by rivers; billowing breezes arise and disappear, setting her work into timeless undulating motion. Accompanying audio by Alex Gray, a composition student from the University of Tennessee, immerses the viewer in a soundscape inspired by the drumbeat of raindrops, the whoosh of wind in wide, open spaces, and the crackling sound of glacial ice." -Agnieszka Matejko, Galleries West
http://www.gallerieswest.ca/art-reviews/exhibitions/print-installation-evokes-alberta-s-landscape/